You’re probably right. I’ve never read the book.
Having the same actor play the same part in each time made following the plot easier, at least for me.
This is what I expected to see on first watch, and was a bit confused that at least some actors did actually “switch sides” between timelines. Going by interviews, it seems this was possibly meant to reflect an evolution of souls. But to me the message of the movie works just as well, if not better, if you leave out the concept of persistence of souls or individuals altogether, accept that some of them just look similar, and think more in terms of repeating patterns and ideas across eras.
Jim Brodbent in particular, I thought, delivered a spectacularly good performance.
Hard agree. His contemporary and light-hearted “shady publicist to nursing home jail break” plotline also really worked well to ground the movie in between epic-dramatic segments.
Not universally by any means. But there are plenty of people that expect a movie to fit a certain Hollywood formula, which includes not challenging your audience too much. And so they judge movies by standards that an epic and artistic endeavor like Cloud Atlas was never going to meet.
Also the whole “gender- and race-bending” made some people uncomfortable, even though it’s merely the same actors portraying completely different characters.
Add to this that certain influential studio voices in Hollywood had previously rejected the project outright when they were first approached by the Wachowskis. So it was clear they would never give it a fair shake after it was produced in Europe, against their judgment and without their blessing, and under such unconventional circumstances.