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Cake day: October 14th, 2024

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  • Not universally by any means. But there are plenty of people that expect a movie to fit a certain Hollywood formula, which includes not challenging your audience too much. And so they judge movies by standards that an epic and artistic endeavor like Cloud Atlas was never going to meet.

    Also the whole “gender- and race-bending” made some people uncomfortable, even though it’s merely the same actors portraying completely different characters.

    Add to this that certain influential studio voices in Hollywood had previously rejected the project outright when they were first approached by the Wachowskis. So it was clear they would never give it a fair shake after it was produced in Europe, against their judgment and without their blessing, and under such unconventional circumstances.


  • You’re probably right. I’ve never read the book.

    Having the same actor play the same part in each time made following the plot easier, at least for me.

    This is what I expected to see on first watch, and was a bit confused that at least some actors did actually “switch sides” between timelines. Going by interviews, it seems this was possibly meant to reflect an evolution of souls. But to me the message of the movie works just as well, if not better, if you leave out the concept of persistence of souls or individuals altogether, accept that some of them just look similar, and think more in terms of repeating patterns and ideas across eras.

    Jim Brodbent in particular, I thought, delivered a spectacularly good performance.

    Hard agree. His contemporary and light-hearted “shady publicist to nursing home jail break” plotline also really worked well to ground the movie in between epic-dramatic segments.


  • It spoke to me when I watched it at the right point in my personal development. As is often the case with movies or experiences that try to convey something meaningful, whether the message lands depends just as much on the watcher. I honestly don’t blame anyone for whom it was a lengthy and confusing blurb. The narrative structure and casting choices are so far outside what audiences are used to, that the script was thrown out by every major Hollywood studio at the time despite the prestigious names behind it. I myself was quite confused on some of the timelines and characters until my 2nd rewatch, and that’s a lot to ask for a movie of this length. It really never had a shot at mass appeal, so in an economic sense those studios were right. I’m just fascinated and grateful it ever got made. It truly was a leap of faith and a labor of love for many, the Wachowskis and Tom Hanks in particular. And I feel like this shines through in the final release, rough edges and all.

    I read the story you linked and I absolutely see the parallels. I feel like I may have read it once already years ago. It’s quite the philosophically intriguing concept.


  • The things you mention are narrative elements. The message is repeated almost like a mantra throughout the movie, and later revealed or summarized as the ‘prophetic’ words of Son-Mi:

    Our lives are not our own. We are bound to others, past and present, and by each crime and every kindness, we birth our future.

    This is the core thesis of the movie, standing in direct opposition to the various antagonists’ ideology, which can be summed up as self-serving nihilism, and upholding the status quo of might makes right / “natural order” by any means.